Category Archives: Art transit Insurance

Art Collector, Art transit Insurance, Collectibles

Six things you should know about Art Collection Insurance

As collectors, one of the most important things to understand is art collection insurance. Many collectors out there tend to overlook this often-essential part of keeping their valuable pieces safe. Whether you own expensive paintings, sculptures, or artifacts, having art collection insurance allows you to rest easy, knowing that in the event of theft or damage, you have some form of coverage and can recoup some of the loss. In this blog post, we dive into the ins and outs of this insurance so that you know exactly where you stand should something happen to your beloved artwork.

1 Understanding Art Collection Insurance

Art collection insurance is a special type of insurance that helps protect an art collection against damage, loss, and theft. Any artwork collector should have this coverage to secure their valuable pieces. With that in mind, various types of coverage are available to collectors. These may consist of

  • Transit coverage covers pieces in transit from the point of purchase to their home or exhibition venue.
  • Valuation coverage covers variations in value due to fluctuations in market values.

Package policies are another option at your disposal. This type of collection insurance covers multiple risks within the same policy, such as fire and uncontrollable conditions. It is a must if you plan to keep your pieces safe in storage. With that in mind, getting the right kind of insurance protection is important no matter what type of art collection you have. But more on that later. 

2 Determining the Need for Art Collection Insurance

Before determining the need for art collection insurance, it is essential to assess the total value of your collection. This involves considering all its components. This includes tangible and intangible items, such as individual objects, framed displays, and any shipping or administrative costs associated with moving a piece from one location to another. Furthermore, to identify any potential risks that may cause harm or loss to your valuable pieces, it is helpful to consider the environment they are stored or displayed in and any regular activities they may be subjected to. Finally, it is essential to evaluate existing insurance policies – ensuring adequate coverage exists against any perils your art collection may face.

3 Appraising Your Art Collection

Appraising your art collection is a critical step to estimating the value of each piece in your collection. You can hire a professional appraiser to look at your collection. A professional appraiser will thoroughly examine each piece you own and research similar pieces to determine their market value. This process will consider the condition, quality, materials used and historical significance. Furthermore, an appraisal will provide documentation with information regarding the artwork so that insurers and other interested individuals can also make educated decisions on any purchases that may occur in the future involving pieces from your collection.

4 Preventive Measures and Risk Management

Just because you want to purchase art insurance doesn’t mean you shouldn’t take preventative measures yourself. According to experts at Heart Moving Manhattan, NYC, first and foremost, you should ensure the artwork’s security by storing it in a controlled environment. Additionally, you should document artwork properly. This includes maintaining proof of purchase, authenticating any certificates of authenticity, and photographing items as proof. Furthermore, conserving artwork is important to keep them safe – this includes regularly inspecting storage conditions and avoiding handling them excessively or forcefully.

Similarly, collectors must use cushioned packaging materials when transporting valuable art objects and utilize proven couriers for reliable delivery. All these preventive measures can save money by lowering insurance premiums. Not to mention that they will bring peace of mind that your valuable collection is safe from harm.

5 Art Collection Insurance for Artists and Galleries

Art collection insurance is essential for artists and galleries to protect their investments. Not only does it protect them in the case of any physical damage that may occur to their pieces, but many insurers also provide coverage for lost or stolen artwork. Additionally, it is an invaluable tool for dealing with issues such as legal disputes and disputed authenticity. Therefore, obtaining appropriate insurance for a gallery or artist’s collection is a wise decision that could ultimately save them from great financial difficulty should the unexpected happen.

6 Choosing the Right Insurance Policy

Selecting the appropriate insurance coverage for your art collection is essential in guaranteeing the collection’s safety and security. When choosing an insurance plan, there are several aspects to consider. The most important of them are available coverage choices, policy limits, deductibles, and the insurer’s reputation and level of expertise. In addition, it is vital to carefully consider the benefits and drawbacks of each kind of coverage. This entails taking into consideration the requirements and threats that are connected to your collection. If a claim is made against the policy, the limits of the policy should be enough to cover the overall worth of your collection, and the deductibles should be reasonable.

Conclusion

With art collection insurance in place, you can rest assured that you can cover any financial losses due to theft, vandalism, or damage caused by natural disasters like floods or fires. It is also essential for artists and galleries to procure art collection insurance because having a good policy in place gives them peace of mind and protection when exhibiting their artwork. To find the right amount of coverage for your needs, it is crucial to evaluate all options carefully before deciding.

Art Insurance, Art transit Insurance, Exhibtion Art Coverage, Transit Insurance

As a Curator, do you buy an Exhibition or Art Dealer policy?

Lately, I have been asked this question by curators that insure Art Exhibitions. There is silence when I ask if you are a curator or dealer. I feel it is essential to distinguish the difference.

An Art Curator has many roles when mounting a show; What is the exhibition about? Is the reason for the show the promotion of the Gallery, Artist, Collection, or yourself? All have a common thread… the “Consignment Agreement.” 

Focusing on the Consignment Agreement terms is where I look to help design the right policy for the show. Usually, this transaction comes with two different approaches to this agreement. When the work is consigned to the show, is it for just show or sale?

If the Artwork being shown is Just for display, an exhibition policy is offered to protect the art for the consignment amount and transit wall-to-wall. Wall-to-wall or Nail-to-Nail has a meaning. To insure Artwork from the time of pick, during transit, storage, exhibition, and on return to the source.

I usually add a few extra days to the policy so the insured is not caught without coverage because Insurance always ends at 12:01 am. Quite often, this will not change the insurance cost. Adding 2 to 3 extra days will take care of any unforeseen delays. 

When the work is for sale, and the curator or venue receives compensation, like a commission, selling fee, or a donation, then the Curator or Venue can be classified as a dealer.

A dealer policy is a year-long policy; the work does not have to be scheduled. There is an established limit for all exhibitions; transit and storage of the art. It works similarly to a collector’s Blanket policy, based on limits, not items. It is covered on a blanket Limit and is not limited to this single exhibition. You will have coverage for all your shows for the year. Also, there is no time restriction for returning the art after the show. It is still a wall-to-wall or nail-to-nail type of policy. As for the cost, it is usually about even with an exhibition-type policy.

In conclusion, both types of policies protect the owner of art in a curated show. Like all Insurance, I recommend reviewing the policy wording to understand the evaluations, limits, conditions, and coverages.

Art Collector, Art Insurance, Art transit Insurance, Transit Insurance

Guide to transporting large-format paintings

Generally speaking, moving to a new home is a challenging process, no matter how many possessions you have. However, moving with valuable and fragile possessions can be even more frustrating and stressful. Transporting your family’s art collection is no easy task because it involves careful and skillful packing, preparations, and planning. For this reason, we have written a guide for transporting large-format paintings so that you have a clearer idea about what you need to pay attention to and what you should expect once you start organizing your move. 

It is definitely true that large paintings, old photos, antique furniture, and decorative items all require special treatment during relocation. There are many things you can do to prevent damages made to the frames or the artwork itself. However, in case you still feel that the necessary ‘packing precautions’ may not be enough to keep your large format paintings secure, we strongly suggest you inquire about art insurance as a backup plan, just in case something goes wrong. 

Place the artwork into appropriately sized boxes.

The first thing you need to pay attention to is the size of the boxes and the paintings. In most cases, small and medium-sized paintings are placed together in large boxes. This is done to prevent friction and the potential shattering of the glass and frames. Therefore, the artwork and the boxes containing the artwork should be stacked and pressed together to minimize movement in the vehicle. 

When it comes to moving larger artwork, the best thing to do is pack each piece in a separate box that is only slightly larger than the painting itself. These specialty boxes have to be carefully chosen and purchased from the supply store well before your relocation. 

You should not improvise with boxes that are larger or smaller. Having a larger box leaves room for movement and potential damages, cuts, and shattered glass, whereas the painting may fall out of a box that is smaller than the painting. 

Tape the glass with an X

If the picture has glass protection, be sure to tape the glass with masking tape diagonally. This little trick will keep the glass in place in case it cracks during transportation. 

In case your large-format paintings are not framed or protected by glass, it is best if you wrap the front of the painting with several thick layers of plastic wrap, palette wrap, or any other wrapping material that will protect it from impact.  

How to wrap your large-format paintings with wrapping material

As we mentioned, you should wrap your artwork in thick layers of the wrapping material of your choice. But what is the best way to do this? Let us take a look. 

●     Cut two equally sized pieces of brown paper (should be larger than the painting)

●     Place the framed painting face down against one sheet of brown paper

●     Cover the painting with the second sheet of brown paper 

●     Tape down the ends of the brown paper together like a present

●     Wrap the packing tape around the painting on all sides

●     Place the painting in a box

Pro tip: add a layer of wrapping paper or shock-absorbent wrapping material

a woman packing a book with brown paper
Brown paper is malleable and firm enough to give support to your large-format paintings.

Be sure to use brown packing paper rather than newspapers or other types of paper that do not offer the necessary support. Newspapers are not large enough to be taped down and wrapped around large-format paintings, and they tend to leave print ink on artwork. 

As you can see, art should be handled properly, so if you are unsure whether you can pack and move your large-format paintings or art collectibles on your own, the best thing is to call in professional artwork packing and moving crews.

Check if the painting is moving inside the box.

Before you finally seal the box with tape, you need to give it a few gentle pushes so that you can estimate if the painting is moving too much inside the box. If this is the case, you can crumble some newspapers to create padding. As we said before, be sure to do so only if you have already wrapped the artwork in brown packing paper. 

Seal the box appropriately.

In our experience, it is best if you use specialty boxes to pack large-format paintings such as triptychs. Place the tape on both ends of the box. Of course, you should first seal the upper part of the box and then stand it so that you can tape the bottom end for additional safety. This can be a bit difficult if the painting format is extremely large, so be sure to have a helping hand nearby just in case.

a man taping down a moving box
Use wide, firm packing tape to seal the box in the end.

Label the box

It might appear to you that it is obvious which boxes contain your large paintings. Regardless, you must label the boxes clearly and appropriately since you can really never be too sure what people might do to the boxes if they see them unlabeled. 

So, note down that the box contains fragile or glass items with a clearly written, short word such as ‘Fragile’ or ‘Glass.’  Proper labeling is crucial.

Be careful when placing the boxes into the vehicle.

Moving truck

Be sure to check if the moving crew is placing the paintings on the side of the moving truck. This is where labeling comes in – the artwork must not be laid flat on the ground, which means you need to inform the moving crew about the size of the vehicle you need. You can also stack your artwork between heavy furniture and other large items to prevent them from moving. 

Keep in mind that when transporting extremely high-valued fine art, you may require a professional art shipper.

We hope this short guide to transporting large-format paintings helped you prepare for the big move with your art collection. Good luck!

Art Insurance, Art transit Insurance, Artist Insurance, Artist Studio, Auction Houses, Exhibtion Art Coverage, Fine Art

5 Star Service for Art Insurance with ArtInsuranceNow.com

Are you an artist, art dealer, collector, exhibitor, or gallerist that requires asset protection? ArtInsuranceNow.com / Bernard Fleischer & Sons Inc. has provided insurance services for the art community for 70 years. We love educating our customers and giving them the right tools to create or maintain a successful art business or collection.

Many artists surveyed do not have the proper insurance or coverage for their situation, the numbers are quite alarming. Our goal is to educate and provide resources that the art community requires to mitigate the unique risks they face.

As the global art market expands, risk also increases. Artists, auction houses, and art dealers often display art at multiple locations to discover a larger number of buyers, including a growing number of art fairs around the world like Art Basel.

The high volume of art exchanging hands increases the risk of improper handling, accidental damage during transit, and theft. Therefore, this increases the number of fine art insurance claims. If your art studio or location is not properly covered, you could be headed for a loss.

We at ArtInsuranceNow.com / Bernard Fleischer & Sons Inc. take pride in our stellar customer service. (Don’t take our word for it, check our 5-star ratings on Google HERE) We will walk you through the process step by step and get you insured fast, and with great rates via our user-friendly online applications. We are uniquely qualified to handle all art related risk management solutions due to our extensive experience in the field, and to put it simply, we just love art!

Call us at 800-921-1008, apply online at ArtInsuranceNow.com and live chat with us, or visit our offices at 29 Broadway, Suite 1511 New York, NY 10006

Art Collector, Art Dealer, Art Insurance, Art transit Insurance, Artist Insurance, Auction Houses, Transit Insurance

Art in Transit: Why we insure

The reasons for art being shipped varies greatly, a collector may move or place artwork in storage while their home is being renovated, they often sell artwork at popular art fairs and even lend pieces to museums.

A dealer or gallerist may sell artwork to a collector from out of town or even another country, the working artist sends their commissioned works to buyers, galleries, etc. Auction houses frequently send and receive works of art. There are many different reasons for art transit, including shipping art out of harms way in cases of hurricanes and wildfires.

Other than hauling that hidden ‘masterpiece’ in the attic down to the Antiques Roadshow, artwork should be handled with care, shipped by professionals, and most importantly insured.

Transit insurance is extremely important to the safety of your investment. If you have the opportunity to talk with anybody in the insurance world for fine art, most of the losses by frequency — something like 70% — are caused by damage while it’s being handled through transit. Even so, not all insurance policies cover works of art.

Standard homeowners insurance likely won’t extend to cover your art collection, which is why most artists, collectors, dealers, and auction houses purchase a stand-alone policy that often includes protection for new works while they are being shipped to your home or business but it’s important to speak to knowledgeable art insurance professionals like Bernard Fleischer & Sons Inc. (ArtInsuranceNow.com) and understand what’s covered and what is not.

It is important to know that most transporters limit their liability and folks are often quite surprised at how low their liability is. So, make sure your insurance policy covers the work of art as it’s being shipped.

Whether buying or selling at art fairs be sure that your work or investment has the maximum coverage with minimal headaches by using the Trusted One Stop Art Insurance for the Art Community since 1949, Bernard Fleischer & Sons Inc. Visit artinsurancenow.com or call 800-921-1008 we can help you with all of your Art Insurance requirements.

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Art Collector, Art Dealer, Art Gallery Insurance, Art Insurance, Art transit Insurance, Artist Insurance, Exhibtion Art Coverage, Museum Coverage, Private Collectors and Corporate Collections, Transit

Artwork in Transit; Managing the Risks

The top risks art collectors might face surprisingly doesn’t include theft. In fact, its art that’s on the move that poses the biggest risk. A large proportion of art claims are derived from transit losses. Private collectors enjoy lending, particularly as exhibitions in major institutions can increase value, that’s all very well until something goes wrong.

The movement of art is massive, now art is transported coast to coast, internationally or just to your winter home or local Gallery. When handling artwork, packing for transportation is a top concern for insurance carriers.

Many policies list as a condition, professional packing, meaning it must be packed as someone in the industry would pack it, safe, secure and protective from breaking if possible.

If you use a transportation service, either a fine art mover, a local mover, or common carrier, you must verify if they have or offer Insurance, what are their limits, conditions and the cost of the coverage. Insurance carriers differ and may have restrictions or limitations while your valuables are on the road, on a ship, or in air transit. The most common, efficient and safe way of moving art over long distances, domestically or internationally is by air transport, but it is very common to move the work yourself, so make sure your policy covers self-conveyance.

Some art transporting choices such as those offered by, United Parcel Service (UPS), DHL, Federal Express (FedEx), and other private art handling companies or commercial air freight carriers have limitations on coverages, territory, and deductibles. Keep in mind that while these are services used for fragile and non-fragile fine art, things happen within their control and outside of their control. Looking to your own insurance policy for protection is the right way to limit your financial losses and the quickest way to have the claim settled.

Artists, art dealers, and institutions use these Art transport services regularly, but Insurance, in particular, is the gray area in which most misunderstandings occur. Pay close attention to the bill of lading and understanding the fine print. The standard form limits the exposure of a claim on the art to weight, not value.

Our policies are written either as a schedule or market value less a percentage. Either way, your art will be protected while in transport. Caution, it’s important when securing transit art insurance to add extra days of transport for the unknown delays. Also note the declared value placed in customs forms or the bill of Lading is usually not used when settling a claim but look for wording which would specify to the contrary.

According to FedEx, “shipments (packages or freight) containing all or part of the following items are limited to a maximum declared value of $500: Artwork, including any work created or developed by the application of skill, taste or creative talent for sale, display or collection.

This includes, but is not limited to, items (and their parts) such as paintings, drawings, vases, tapestries, limited-edition prints, fine art, statuary, sculpture, collectors’ items, customized or personalized musical instruments, Film, photographic images, including photographic negatives, photographic chromes and photographic slides.

Any commodity that by its inherent nature is particularly susceptible to damage, or the market value of which is particularly variable or difficult to ascertain.”

According to UPS, articles of “unusual value” are prohibited from being offered for shipment. This definition explicitly includes “works of art.” As the November New York-based auctions ended and Art Basel Miami Beach began, for collectors buying and selling art no doubt demanded lots of their attention, they also should be thinking about keeping their art safe and properly insured as it moves between locations.

With the expansion of the global art market, risks increase. To discover a larger number of buyers, auction houses and art dealers often display art at multiple locations, including a growing number of art fairs around the world like Art Basel. The high volume of art exchanging hands increases the risk of improper handling and accidental damage and therefore increases the number of fine art insurance claims.

You should know where your art will be stored while in the possession of art dealers or auction houses. This is critical. For example, many consigned works were stored in art gallery basements in Chelsea during Hurricane Sandy, leaving many damaged. Art galleries may also store artwork at an off-site storage facility. Being notified before your piece is moved from one location to another is also a precaution and obtaining confirmation on how it will be packed and transported will help to ensure a smooth consignment process.

Don’t presume that the auction house, gallery owner, art dealer, or shipping company with possession of your artwork has insurance for its loss, theft or damage. It’s very important to have your own fine art policy. Collectors should always consult with an insurance agent. The agent can tailor a policy to a specific collector and discover any special provisions in the collector’s fine art policy.
No matter what risks they face, creating an insurance policy for an art collector requires one-on-one consultation since every art collection is unique, no two collectors are alike and no two collections are alike.

Collectors and their advisers would be wise to work with knowledgeable insurance brokers like Bernard Fleischer & Sons Inc.  that can guide you in obtaining the right fine art insurance for your unique requirements. For more info visit www.artinsurancenow.com and live chat with us or call us at 800.921.1008

Art Collector, Art Insurance, Art transit Insurance, Auction Houses, Exhibtion Art Coverage, Public Art, Transit, Transit Insurance, Uncategorized

Art Exhibition Insurance – The Details

As representatives of the top Insurance carriers that insure exhibitions locally, in multi-states and internationally, we know coverages.

Each company has their own distinct forms to insure the unique exposures related to exhibitions. Coverages while in transit, at the exhibition venue, and in storage vary by company.

Below are some highlighted coverages to consider when placing insurance for an exhibition, how to protect the lenders, and what is the right valuation method.

 

About Exhibition Coverage

Most Art Insurance policies not only insure the work on exhibition, but also the didactic and ancillary materials such as vitrines, hardware, technology, and supportive structures.

A typical Policy I use with my insureds exhibition policy includes:

  • Agreed Value: We usually require a schedule prior to binding, but different terms can be negotiated.
  • Worldwide coverage for transit: is important when gathering works from overseas collectors.
  • Named Location: some policy covers only named location and excludes transit
  • Scheduled or Blanket: 
    • The schedule:  Establishes the price of the work to be insured.
    • Blanket: policy usually has a per item cap along with the onus of proof of value is on the insured.
  •  Loss Payee Certificates: These are issued if a lender requires proof of coverage and insures the check will be made to them in case of a loss.

 

  • Additional Important Exhibition Coverages one should verify if covered:
    • Packing crates, catalogs, and brochures included
    • Nail to Nail coverage:Coverage from point of pick up until returned.
    • Goods in transit
    • Art in storage in-between transit

 

  • Broad, all-risk coverage
  • Blanket limits on propertyin your care, custody, and control at scheduled locations and any other unnamed locations. Beware of sub-limits.
  • Domestic and international transit: To/from list of Exhibition Locations
  • No coinsurance clause penalty
  • Valuation clauses: important to know how a loss will be settled. Our policies are designed for the art industry
  • Coverage for jointly-ownedworks of art should be disclosed and understood how a loss will be paid in those instances.
  • Special clauses for “loss buy back” or “pairs and sets”
  • Relaxed appraisal requirements with most companies
  • Based on Consignment value established at time of pick up.

 

About Exhibition Exclusions and Conditions:

These policy forms usually include the standard and not so standard Exhibition polices.

Wear and tear, moth, vermin, and insects.

Damage resulting from any repair, restoration, or retouching process.

Nuclear, radiation, biological or chemical contamination.

War, invasion, an act of foreign enemies, hostilities, military or usurped power.

Confiscated, damaged or destroyed by or order of any government or public or local authority, except if taken at the time of a fire to prevent it’s spread.

In Conclusion: Art insurance has many variables and sections which can be negotiated, if you are a knowledgeable Art Insurance broker.

Art Collector, Art transit Insurance, AXA Art, Chubb Insurance, Fine Art, Homeowners vs Fine ARt Policy, Private Collectors and Corporate Collections, Rare Books

Art Insurance for Collectors; Schedule vs. Blanket

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The Art of Collecting Art.

There’s a big difference between buying art and collecting art. Buying art is more of a random activity based on likes, preferences or attractions at any given moment while collecting art is more of a purposeful, directed, long-term commitment. An important step in good collecting is not the most delightful one to talk about, but it is among the most necessary, and that is to plan for the unforeseen.

As an art insurance broker, I readily come across collections that are an intricate part of retirement and inheritance planning.  It’s a great asset to pass down.  Baby boomers bought artwork for the love of the art.  Art as an investment vehicle was a small part of the decision-making, not like today which is the main focus.

In the past 15 years as the art market sales and demand took off, Art purchased 40, 30 or even 10 years ago is worth a lot.  Hence, I am seeing collector’s policy limits rise into the millions. I will explain some key differences in the type of policy offered in today’s marketplace. Art Insurance and collectible insurance demands are a new focus with some insurers. Beware, like the art world, no two are the same, read the exclusions, conditions and valuation clauses in a policy.

Understand what schedule means and its limitations, some say the maximum they will pay is what is on the schedule or schedule plus 125% or 150% and then some added or market value whichever is less.  A popular coverage is Blanket Insurance; usually, this is for the collection under $300,000. The advantage is that you are not required to supply the companies with appraisals, bill of sale or any other documentation when you bind the coverage.

Only at the time of loss, the onus of proof of value is on the collector.  This is not a lengthy process; either go back to your paperwork and ask for a current valuation from a dealer or show your work to a dealer and put the value in a letter. Both methods of either scheduling the art or using the blanket limit are tools I use when working with my clients.  Each person looks at insurance in different ways and has different requirements. Let me work with you and answer all your questions to present a program which is satisfactory to all those involved.

Visit us at ArtInsuranceNow.com, Apply below or Contact me at 800.921.1008 to discuss your unique situation.

William G. Fleischer CIC

 

 

Art transit Insurance, Uncategorized

Art Fairs and Protecting Art in Transit

Underwriting the transportation of fine art can be tricky. Using an experienced, trusted agent is important to protect yourself from the pitfalls.

 

Artists, Art Dealers, Collectors and Institutions use art transport services regularly, but insurance in particular, is a gray area in which most losses occur. Shippers charge high rates with high deductibles and with hidden exclusions. Pay close attention to the bill of lading and understanding the fine print. The standard form limits the exposure of a claim on the art to weight, not value. Our policies are written either as a schedule or market value less a percentage. Either way your art will be protected while in transport, in storage and while exhibited.

Whether buying or selling at Art Fairs be sure that your work or investment has the maximum coverage with minimal headaches by using the Trusted One Stop Art Insurance for the Art Community since 1949, Bernard Fleischer & Sons Inc. www.artinsurancenow.com or call 800-921-1008 Ask for William Fleischer, CIC.  so he can help you with all your Art Insurance requirements.

apply online here

Upcoming Art Fairs

 

viennacontemporary underlines it’s significance not only as a marketplace but as a location for the presentation of young and established artists and for the information on the development of the art scene in the focus countries of the program.

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a contemporary art show in the heart of southern California featuring an international slate of artists and galleries. The show features over 500 leading contemporary artists, museum exhibitions, Art Labs, events, and Art Talks focused on collecting. Now in its ninth year, the four-day event attracts over 15,000 high-net-worth collectors. Join us for an unforgettable four days of cutting-edge art, entertainment, and special events.

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FOTOSEPTIEMBRE USA SAFOTO 2017 runs from August 26 through October 30 across various galleries and other venues in San Antonio and the Texas Hill Country.
October 2017 Art Fairs

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  • Frieze London (London, England)

    October 5 – 8, 2017

Frieze London features more than 160 of the world’s leading galleries. View and buy art from over 1,000 of today’s leading artists, and experience the fair’s critically acclaimed Frieze Projects and Talks programmes

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  • Frieze Masters (London, England)

    October 5 – 8, 2017

Frieze Masters features more than 130 leading modern and historical galleries from around the world, showcasing art from the ancient era and Old Masters to the late 20th century.

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Now in its 8th year, Moniker Art Fair aims to spotlight emerging and established talent from a burgeoning and increasingly diverse contemporary art movement forged by its subversive and innovative spirit. Staged during London’s most important art week in October, Moniker Art Fair attracts some of the most talked about artists, galleries and collectors from the finer side of the street art movement and its related subcultures.

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  • Art Silicon Valley (San Mateo, CA)

    October 5 – 8, 2017

Art Miami’s International Contemporary and Modern Art Fair on the West Coast, centrally located between Silicon Valley and San Francisco.

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Texas Contemporary, Houston’s leading contemporary and modern art fair, brings top galleries to the area’s discerning collector base.

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  • FIAC (Paris, France)

    October 19 – 22, 2017

For its 44th edition, which will be held from 19 to 22 October 2017 in Paris, FIAC hosts at the Grand Palais a selection of the most important galleries on the international art scene. The fair reinforces the presence of the leading galleries, covering the modern and contemporary periods, and renews its support for the emerging galleries through a 2017 promotion of the Lafayette Sector which will not fail to surprise by its freshness, diversity and relevance. The fair, an unmissable event this autumn, confirms the attractiveness of the Place de Paris on the market.

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October 27 – 29, 2017
CLIO ART FAIR 2017 focuses attention on the kinds of contemporary art and interventions that are being created by independent artists the world over. Without the constraints and usual concerns of the art business, these artists have no set boundaries – using different materials and media to deviate from accepted art practice definitions in the gallery space. The works exhibited seek to foster a dialogue that transcends prescribed geographies, hierarchies, and markets, expanding the opportunities for greater expression of new media and groundbreaking content.
November 2017 Art Fairs

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The IFPDA is an organization of expert art dealers who champion

the work of artists in the artistic medium of printmaking.

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Paris Photo, the first international fair dedicated to the photographic medium, will present its 21st edition from 9 to 12 November 2017 at the Grand Palais in Paris.

A must-see for collectors, professionals, artists and art lovers, Paris Photo focuses on the diversity and quality of the artists and works presented and proposes an ambitious and demanding public program.

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The Salon Art + Design welcomes the world’s finest galleries exhibiting historical, modern and contemporary furniture, groundbreaking decorative arts, and late 19th and 20th century fine art. Visitors will find designs by the great 20th century masters, as well as creative works by today’s most innovative young artists.

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American Collectors Insurance, Art Collector, Art Dealer, Art Gallery Insurance, Art Insurance, Art transit Insurance, Artist Insurance, AXA Art, Comtemporary Art Insurance, Exhibtion Art Coverage, Fine Art, Galleries, Private Collectors and Corporate Collections, Public Art, Uncategorized

As Art Basel Miami 2016 approaches, we look at the necessity of a good art insurance policy

artbasel-miami-beachArt Basel, the international art fair with three shows staged annually in Basel, Miami Beach and Hong Kong. The shows offer parallel programming produced in collaboration with the host city’s local institutions. Art Basel provides a platform for galleries to show and sell their work to collectors, museum directors and curators. The 2015 show in Miami presented 267 leading international galleries from 32 countries. Over five days the show attracted 77,000 visitors including private collectors and directors, curators, trustees and patrons of nearly 200 museum and institution groups. The show hosted first-time collectors from Cambodia, Ethiopia, Nicaragua, Romania, Togo and Zimbabwe. That’s a lot of art moving around and collectors Art policies should cover Art, when purchased, on consignment and in transit, it’s about knowing your coverage situation before it’s too late.

art-basel-miamiThe transportation of art is a tricky thing, and as fine art transportation insurance leaders we can tell you exactly what you require to know so that your insurance program will be effective and  cover you properly.  Insurance coverage during transportation, installation and exhibition of irreplaceable works of art, antiquities, and memorabilia isn’t optional and the best way to obtain the finest coverage is to visit artinsurancenow.com or call us at 800.921.1008 to speak with a knowledgeable fine art broker that can advocate for you in seeking the best possible insurance terms.

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